Monday, November 24, 2014

A Walk in Oakland on Ferguson Night

My neighborhood is in one of the safer parts of Oakland, and walking around tonight feels like it usually does, though with some noticeable differences. There is a police car making a looping patrol of the main storefront area, presumably trying to justify his presence here rather than in the hectic areas downtown. That's unusual. Overhead, the sound of helicopters is present, which is also unusual.

There are people strolling around, and quite a few of them look cheerful. There are still plenty of restaurants and coffee shops open, here, doing decent after-work business. I do see one guy, wearing faded pink pants and a light blue top, walking down the street with both hands up in "Don't shoot!" style. At one point he lowers one hand to pull out a smartphone and mess with it a bit. Then he tucks it away and puts his hand back up again, still wandering down the street. He goes past an elderly couple, who notice him and don't seem to mind.

I walk past the area with the restaurants, and go down by the shops, which are pretty much all closed. Big lovely windows are untouched here, and I'm glad. There is a shop that opened not long ago because of a successful kickstarter, that just sells unusual sizes of bra. All closed, all safe. There aren't a lot of people here, just a few who are going in and out of a bar on the other side of the street.

Except this one lady over on my side of the road, who has just started to get out of her car. I make eye contact, which is a habit of mine for better or for worse. She is reasonably well attired, and black, and looks anxious. I do not blame her. She stares back at me with what seems to be distress, and she does not blink. I have written about my friendly facial hair and hat before, but tonight my ensemble is not remotely inviting because I am not in the mood. I look away and just walk on.

I cannot see any helicopters from this part of the street, but I can tell they are up there. I can hear at least two, maybe three. They sound like distant and very large lawn mowers, which they are after a fashion.

There are the dark corners and alleys where one generally does not go or look too closely. This is my neighborhood, though, and so I do, quietly and respectfully. The two people I see there do not notice me. The one in the dark corner behind the barrier at the closed bagel shop is covered in a large ratty blanket. The other, huddled in the stoop by the dark part of the church yard, is facing away from me. It occurs to me that in a world without beds, let alone television or internet, "Michael Brown" is probably just another name.

Coming back around by the coffee shop, I notice that the newspaper vending machine has had one of its doors torn off, and been emptied. The little door is still sitting next to some of the outdoor tables, which are themselves unoccupied. I have not seen that cop car for a while now, and wonder if he got called to somewhere else.

I keep going, past the froyo place, the Chinese restaurant, and the bubble tea shop. I go all the way up to where the street dead ends into the cemetery, gates closed. Here, a woman is sitting in a parked Honda Civic, one arm extended out the open window and holding a cigarette. The arm does not move. She is black, but does not seem to be anxious or moving at all. She does not look up as I approach and I wonder if she is asleep. Walking by, I glance in and see that in her other hand she is holding a smartphone, and is staring with great intensity at what appears to be a game of scrabble.

On my way back down from the cemetery, I pass by a place with a clear view of the southern sky. Off to the east, a cluster of stars is clearly visible and makes the sign of Orion. In the west, a cluster of helicopters is also clearly visible, and makes a very different kind of sign. There are at least four of them. One of the helicopters is closer than the others, lower, and it makes an audibly different sound: higher pitch, louder, different engine. Something is happening.

Passing by the sushi shop on my way home, I see that one of the chefs at the sushi bar is staring up and to his right. He is staring at a television mounted to the wall, and there on TV is I-580 as seen from a helicopter, packed with unmoving cars and protesters on foot. That's maybe a mile away. I could drive down and check it out, but would risk being trapped, really actually trapped, along with everybody else. I could also just walk there, which is what I really want to do. The internet confirms that arrests are already happening, though, which puts an end to that plan. As I walk home, that one song by REM goes through my head, with the video where people get out of their cars and start walking down the freeway, called "Everybody Hurts."

Tuesday, November 18, 2014

The last CHS salon and SERENDIPITY


The CHS Salon

1. The CHS is a good venue for these kinds of presentations. It's a good size, with totally serviceable acoustics and a nice high ceiling. It's also pleasantly lit, so that even with the lights turned down for the presentation you can still see the faces of the audience; there's no blinding spotlight in your eyes.

2. If we were going to do the Bonus Timekeeper routine again, I would almost certainly want to spruce it up a little, making it more integrated with the presentation instead of something that is happening next to the presentation, if you see what I mean. Anyway, I'm not sure how the audience felt about it, but from my side of the podium it certainly added a sense of urgency.

3. I'm really glad that I got to talk at the Time Traveler series.

4. It seems to me that the last speaker, whose name I have shamefully forgotten, had one main payload to deliver, and he delivered it: make us want to visit the off-limits tunnels beneath Alcatraz. Sure enough, once the presentations were over, and still today, I want very much to go rummaging around in them there tunnels.

SERENDIPITY

5. It is a different experience in the small room than the big one (duh). All the comments and laughs and quips from the audience, in the smaller space, can generally be heard by the folks speaking. The upstairs feels like a large living room, while the big room feels like a presentation hall. That isn't better or worse, but the difference remains striking, at least to me.

6. Now that "winter" is here, it doesn't get nearly as hot up there. Thank heavens.

7. Many of our speakers read from scripts, and for the first time I really paid attention to that. There seem to be ups and downs to script use. Note that this is not meant as a "Thou Shalt Use Scripts" or a "Thou Shalt Not" as much as me offloading thoughts about the thing, so sprinkle with salt to taste:

7a. The up, the really big up, seems to be that you get a stable and reliable place to go no matter how nervous you might be. You get your basic pacing, what you're going to say for each slide, etc. You can experience what Charles Whitebread called "The Great Flush" where everything just flushes out of your head, and as long as you're still literate you can keep going.

7b. You also don't forget something you were supposed to say, which can be a trivial blunder that nobody notices, or may force you to go back in your presentation to correct the omission.

7c. One downside is that, between checking the screen, fussing with slides, turning pages, and audience feedback, speakers sometimes lose their place. Listening to the audio, you can hear now and then a little pause where people are relocating their spot in the script.

7d. I'm not sure, but it may be a little harder to interact with the crowd when you're using a script. There's a lot of thoughts here, too much for this short post, but when you have a script you need to be actually looking at the sheet of paper or whatever in order to read, and that kind of thing has small but meaningful collateral effects.

7e. Some people do very, very well with scripts for these kinds of presentations. I am not among them; it is not a tool that I am proficient at using.

8. [quasi-vanity note] Two separate people commented that although my attire was overall pleasing, the smart phone in the coat pocket seemed out of place. One of them was the doorman, wearing black jeans and scruffy black band t-shirt. I do not say that to besmirch his input. Rather, when the guy in black jeans and a band t-shirt very kindly notes that there is something incongruous about your attire, news flash, there is something incongruous about your attire.